Feral Magueys – Inhuman Intimacies
Over the past six years, Lara Saab has revisited maguey patches across Beirut and Lebanon, tracing their migrations and material life in varied landscapes. By holding fast to a single subject, the artist’s painting practice becomes a field guide in process: an evolving research method attentive to the plant’s gestures, silences and speculative potential. Presented for the first time at the biennial, Saab’s project shifts from situated fieldwork into more transfigurative, world-building gestures; it offers viewers a space for learning with, rather than merely about.